How do I feel? About the same as before. I don’t expect overnight greatness from this. I didn’t get it with my first novel, Spree, and I highly doubt it’ll happen with these two books. Just being pragmatic here. The so-called overnight success stories are exceptions to the rule, and are generally no as sudden as they might seem at first glance.
Take Stephen King. His first novel, Carrie, took off like a shot and catapulted him to fame and fortune. It was a novel he threw away and only gave a second chance because his wife urged him to. And he’s stated he still doesn’t really like the book.
Understandable. But he’s also cognizant of what it did for him, so he doesn’t exactly disown it, either.
Either way, Carrie was not his first published work. It was just his breakthrough work. He’d published short stories—a favorite medium of his and one I can’t do well at all—in magazines, most of them men’s magazines such as Cavalier. By the time Carrie came out, he’d been slaving away getting low pay for his work. And all this had honed his craft so that the success Carrie had was well-deserved.
And I’m sure if you read the back story of pretty much any successful author who’s worth reading, you’ll find the same narrative. We may be born with the talent to write—an arguable position—but we still have to work at it to make it better, and we have to keep working at it our whole lives.
And then we have to get noticed.
That’s never been easy. Back when Mr. King was first published, there were gatekeepers—i.e. editors and publishers—who decided whether or not you got noticed. And, quite often, despite the fact they might decide to publish your work, that didn’t necessarily mean they’d do their best to make sure it sold well. One of the many reasons the New York model is falling flat on its face.
Even still, there were lots of books published, and I find them in used bookstores all the time: books by authors I’ve never heard of, and when I crack them open, I see why. These days of self-publishing don’t have a corner on the market of bad writers, necessarily, it’s just that it’s easier for them to see the light of day.
But even when you’re good—and I’ve been told by several people that I am, so I suppose it’s true, at least to an extent—getting noticed is hard. It’s a big sea, and there are a lot of fish in it. Being the one who rises to the top isn’t an easy thing.
So. I have two new books out. They’re available on Amazon. And from me, if you happen to see me. It’s not like I sold out at my release party this past Sunday. That’s the reality of publishing these days, and I’m not looking to quit my day job anytime soon.
But it still feels good to finally have more books out, because that means I’m a bit closer to being able to quit my day job.
And that’s the goal: to tell that day job goodbye.